#TodayInComicsHistory : Fred Andrews loves Christmas. I mean REALLY loves Christmas.
from ARCHIE 1941 #2 (December 2018), script by Mark Waid and Brian Augustyn, pencils and inks by Peter Krause, colors by Kelly Fitzpatrick, letters by Jack Morelli
#archie #markwaid #brianaugustyn #archie1941 #fredandrews #christmas #december13 #archieandrews #tannenbaum #christmastree https://instagr.am/p/CXb5FCap8M6/
Swamp Thing watercolor by Mateusz Siemion
#swampthing #mateuszsiemion #dccomics https://instagr.am/p/CXbtgB-J9KQ/
Rereading the Matt Fraction run on Hawkeye (2012ish?) And I forgot how much I liked Barney (Clint’s big brother). For anyone watching the disney show, does he show up?
#hawkeye #clintbarton #barneybarton #mattfraction #mcu #marvelcomics #comicpanel https://instagr.am/p/CXaHMZEMBGp/
The second episode of land of the lost from the 70’s
I dont own any of these episodes or their copyright.
All the credits go to the respective owners, as shown on the intro of each episode. I just want to show this to people so this show will not be forgotten.
“Forbidden Planet” (MGM, 1956). 1979 tribute art by Vincent Di Fate featuring Robby the Robot, Starship C-57D, planet Altair IV and a monster from the id.
One of the great science fiction films of the 1950s, “Forbidden Planet” pioneered several aspects of science fiction cinema: the first to depict humans traveling in a faster-than-light starship of their own creation; the first to be set entirely on another planet light-years away from Earth; the first with a robot that was more than just a mechanical tin can on legs; and the first of any genre to use an entirely electronic musical score, courtesy of Bebe and Louis Barron and their theremin.
Considered one of the best examples of early techno-horror, the picture was entered into the Library of Congress’ National Film Registry in 2013, being deemed “culturally, historically, or aesthetically significant.” [Source: Wikipedia]
Movie trailer: www.youtube.com/watch?v=AxQ9GG6hUDM
#forbiddenplanet #robbytherobot #monsterfromtheid #c57d #altairiv #vincentdifate https://instagr.am/p/CXZf0-LJnsC/
Life imitates art https://instagr.am/p/CXY5-axMA1y/
Traditional European Christmastime monsters, photographer across the Europe by Charles Fréger.
https://bit.ly/3dIti2p https://instagr.am/p/CXXDi5Rj9un/
hey icarus bro wanna order some hot wings-oh my god i’m sorry dude https://instagr.am/p/CXW_X4AjdO-/
Sleestak mood.
Why?
Because the Sleestak’s coming
Why?
Because the Sleestak’s coming
Feel me, heal me
Why?
I’m in the land of the lost without you
Stumbling on pylons, I haven’t a clue
Marshall, Will, Holly or Chaka won’t do
‘Cause I need your love, baby, you know it’s true
Why?
Because the Sleestak’s coming
Why?
Because the Sleestak’s coming
Feel me, heal me
Why?
The Zarn may forsake me, the lost city take me
Time may defy me, but your love won’t bind me
Your love is freedom, we share a reason
Which world we abide in’s no difference to me
Why?
Because the Sleestak’s coming
Why?
Because the Sleestak’s coming
You put me under a spell like the thunder
Heart like a T. Rex, you’re savage and reckless
You set the scene, you set the scene
The Pleistocene, the Pleistocene
We’re on the brink, we’re on the brink
The missing link, the missing link
You put me under a spell like the thunder
You set the scene, you set the scene
The Pleistocene, the Pleistocene
We’re on the brink, we’re on the brink
The missing link, the missing link https://instagr.am/p/CXW9qifJd08/
Dog with pipe in mouth (1875) by the Minnesota Historical Society
https://bit.ly/3ygjh64
#vintagephotography #dogsofinstagram #pipe #dog #flurfy https://instagr.am/p/CXVVkiyslVN/
Yuletide Monsters Advent Calendar day 10 – werewolf with a candy cane!
#yuletidemonsters #day10 #adventcalendar #werewolf #candycane #december10
Continue reading December 10, 2021 at 05:10PM
Here’s a video from the “Royal Flush” episode for the song “You Told Me”. This was the 1967 rerun replacement song for “This Just Doesn’t Seem To Be My Day”. This used to be the more common version of the show that was aired on TV. Now it’s a bit of a rarity.
When presenting Michael Nesmith’s Rio as the first music video, the foremost idea up for debate is the definition of a music video.
Chris Blackwell from Island Records asked Nez to make a “clip” to promote his new record in Europe. Nez had no idea what a clip was — and rather than understand it as a low-budget recording of an artist miming their song on a stage, he recalled Hollywood musicals, Beatles and Disney films, and even The Monkees romps.
While editing, director Bill Dear and Nez discovered that music can take over the narrative to create continuity even when placed over discontinuous images. That continuity is what makes a music video as Nez defines it in Infinite Tuesday: An Autobiographical Riff.
Today there is little distinction between performance videos and music videos — any video footage set to a single and released by an artist is called a music video. But in 1977, there was a clear difference and the artform in Rio was unique because of this found continuity.
Nez created the “video record” with his wife at the time, Kathryn, and director Bill Dear in 1977. This band, as he calls the trio in Infinite Tuesday: An Autobiographical Riff, went on to create the longform Elephant Parts, which featured Rio, and won the first Grammy ever given for a music video.
Nez writes more about the emergence of the music video in Infinite Tuesday: An Autobiographical Riff. Signed copies are available from Videoranch.com https://bit.ly/3rRuIjz
Visit our music video playlist to check out more music videos by Nez: https://www.youtube.com/playlist?list=PLU_ycxo-Q7PvTajpP0i8F-Iee74Z5E2-5
Chris Achilleos, Rest In Peace
#chrisarchilleos #elric https://instagr.am/p/CXRzN8jj-lH/
